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Jesús Mari Lazkano

“Bilbao is very attractive from an architectural point of view”

Soul

SOUL

July 2026

Jesús Mari Lazkano (Bergara, 1960) lives and works in Busturia, in the heart of Urdaibai. He knows Bilbao well, having lived there for decades and still visiting regularly. He is one of the leading figures in contemporary realist painting in the Basque Country.

His style combines technical precision with a strong conceptual and philosophical element. A holder of a PhD in Fine Arts from the University of the Basque Country (EHU), where he has taught painting for almost 40 years, Lazkano has been a full member of the Basque Academy of Sciences, Arts and Letters since 2016.

His work has been showcased in major solo exhibitions at internationally renowned venues, notably at the Guggenheim Bilbao (2007) and in a major exhibition at the Bilbao Fine Arts Museum (2010). He has shown his work in galleries and at art fairs in cities such as Rome, Dallas, Jakarta, New York and Beijing.

He also took part in the prestigious Smithsonian Folklife Festival in Washington (2016) with his installation Two Worlds.

Jesús Mari Lazkano

Sitting in his studio, Lazkano clearly recalls the contrast between Bilbao in the 1970s and the city today. “Bilbao was closely linked to its industrial activity; it was a sort of giant machine. Now it has returned to the idea of nature,” he notes. He specifically mentions how Artxanda is reflected ever more clearly in the waters of the estuary. “The city is so much more pleasant today.”

According to the artist, “Bilbao, regardless of the phenomenon that the Guggenheim has represented, has turned its attention to the estuary and reclaimed a natural feature for the city that has improved the quality of life a hundredfold”. He attributes the change to “comprehensive, forward-thinking planning”. He highlights the importance of essential yet hidden infrastructure, such as the water supply and sewerage systems and the Metro.

Lazkano first visited Bilbao as a child, accompanied by his father. His initial impression was not of the Museum of Fine Arts, but of the archway of the old San Mamés stadium, which now stands on the facilities of Athletic Club in Lezama. “I saw the archway and knew I had arrived in a cosmopolitan, modern city where everything is different,” he recalls.
Jesús Mari Lazkano

“Bilbao, regardless of the phenomenon that the Guggenheim has represented, has turned its attention to the estuary”

Jesús Mari Lazkano
Today, Lazkano looks upon a completely transformed Bilbao. His current analysis emphasises the importance of the city’s restored waterways and natural environment. As an artist who has long been fascinated by architecture, he pays particular attention to Bilbao’s buildings. He notes that the city’s architectural quality is underrated. “We don’t look up. Unfortunately, in fact, we’re looking down more and more,” he remarks with a touch of irony. He suggests a change of perspective. “Bilbao is very attractive architecturally”.

The artist highlights the “rationalist architecture” visible in many buildings and emphasises the importance of the “finishing touches” on classical buildings. He singles out the Hermes statue at the Banco de Bilbao on the corner of Gran Vía and Mazarredo, a large-scale copy of a sculpture by Jean Bolonia that fascinates him.

Having spent decades observing the city both as an artist and a teacher, Lazkano believes that Bilbao’s evolution represents a multifaceted achievement.

The artist, who is now focused on capturing on canvas how ice “is disappearing as a result of the environmental tragedy”, feels that it would be particularly interesting for him to paint “the water of the estuary” at this time.

Jesús Mari Lazkano
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